Haal hi mein social media par ek aisi tasveer (image) viral ho rahi hai jo Pakistan ke فن (Art) aur Aqaid (Beliefs) ke gehre talluq ko numaya karti hai. Is tasveer mein ek naujawan shakhsiyat apne hi ek hyper-realistic tel-painting (oil painting) ke saath khadi hai, jiske background mein Karbala, Iraq mein waqay Roza-e-Imam Hussain (A.S.) ka dilkash manzar hai. Yeh tasveer sirf ek portrait nahi, balkay tehzeeb, aqeedat aur فن ka ek anokha imtizaj (combination) hai.
Tasveer mein maujood shakhs ne blue-grey rang ka kurta shalwar pehna hua hai aur woh apne banwaye hue portrait ko ehmiyat ke saath dekh rahe hain. Yeh tel-painting be-inteha mutassir-kun hai, jismein inki shakal ko zinda tasveer ki tarah banaya gaya hai.Lekin is painting ko khas bananay wali cheez iska background hai. Artist ne is shakhsiyat ke peechay Karbala ke muqaddas manzar ko chuna hai. Roza-e-Imam Hussain (A.S.) ka sunheri gumbad aur uske naram neele (light blue) archway, poori painting ko ek rohani (spiritual) aur ba-maqsad (meaningful) look de rahe hain.
Pakistan mein, Imam Hussain (A.S.) ka ghum aur unki shahadat (martyrdom) sadiyon se gehra mazhabi aur tehzeebi asar rakhti hai. Karbala ka zikr aur uske maqam ki ziyarat har musalman, khastaur par Shia aur Sunni dono, ke liye behad ehmiyat rakhti hai.
- Ruhani Markaz: Karbala, Iraq mein waqay Roza-e-Imam Hussain (A.S.) Shia Islam ka ek muqaddas tareen markaz hai, jahan har saal Arbaeen aur Ashura ke mauqe par lakhon zaireen (pilgrims) jama hote hain.
- Wafadari aur Sachai ka Nishan: Imam Hussain (A.S.) ka qurbani insaaf, sachai aur zalim hukmaran ke khilaf khade hone ki aala misal hai.
Prompt ⬇️
A professional photograph of a young man standing next to an oil painting of himself. The man has a full beard, is wearing black sunglasses, and a blue-grey kurta shalwar suit. He is standing to the right of the painting, touching the canvas gently. The painting is a hyper-realistic portrait of the same man, also wearing a blue kurta and sunglasses, set against a detailed background of the Imam Hussain Shrine (or Al-Abbas Shrine) in Karbala, Iraq, with its golden dome and minarets clearly visible. The painting is on an wooden easel in what looks like a studio or gallery with wooden tables and chairs and warm lighting. Professional lighting, high detail, studio portrait.
Hyper-realistic cinematic portrait of a distinguished young Pakistani or Middle Eastern man, sharply dressed in a textured blue-grey kurta. He stands beside his completed oil canvas portrait, which depicts him in a vibrant blue shirt against the holy city backdrop of Karbala, Iraq, specifically showing the golden dome and blue archways of a sacred shrine. The man in both the photograph and the painting wears modern black sunglasses and has a neat beard. Soft, dramatic studio lighting with warm highlights and deep shadows. Shot on Canon EOS R5, 85mm lens, shallow depth of field. High-resolution, museum quality, photorealistic.
Young man in a blue kurta suit proudly posing with his large, hyper-realistic oil painting portrait. The portrait shows him in a blue shirt with the golden shrine of Karbala, Iraq, in the background. Studio setting, warm light, professional photography.
Result ⬇️
Is painting mein, naujawan shakhsiyat ka apne aap ko Karbala ke us muqaddas maqam ke samne pesh karna yeh zahir karta hai ke woh apne mazhabi aur rohani talluq ko kitni ehmiyat dete hain.
Yeh painting Hyper-realism ki behtareen misaal hai, jismein har choti se choti detail ko is qadar safai se banaya gaya hai ke yeh asal tasveer lagti hai. Pakistan ke فنkaar aksar apne kaam mein islami naqsh-o-nigaar (Islamic motifs), callighraphy, aur masajid ke architecture ko istemal karte hain, aur yeh tel-painting is tradition ko jadeed (modern) andaaz mein aage badhati hai.
Yeh tasveer is baat ka saboot hai ke Pakistani فن sirf Truck Art tak mehdood nahi, balkay hyper-realistic portraiture jaisi ala (high) maharat bhi rakhta hai, jo hamari rohani aur tehzeebi wirsat (heritage) ko ek naye andaaz mein zinda karta hai.